My Timeline
9 March 2025 & Not Yet Complete
I endevoured into the wild, my sculpture and I. To find a spot where she could lie. It was a liitle tough, to find our way say. And she’s a little rough, what can I say.
This angle then that, and so we went. Over rocks and boulders and grassy sloaps. (I exagerate!) She’s most transparent straight on you see. She weighs about 25kg. And she just had to be placed in a beautiful spot.
At one point, to get onto a pile of rocks, i even used her as a walking stick. So many deadly snakes in the Cederberg you see! We watch where we step.
This rock formation really was the best setup. It had the mountain range at the back opposite the sun where the moon also rises. Problem was, she is well balanced, but has to be on a flat surface, and there were none. I tried a few spots but she kept falling over. There was an orange rock lying there, quite visible because it was lying on a more light grey rockface. I realised I couldn’t really use it to make her more stable.
Then, to my amazement, I saw a little ledge with a perfectly straight side and on the side perpendicular to this straight edge, a little round knob sticking out more or less around the same level directly upright. See the picture!
I set up the sculpture and then walked to the side facing it straight on. I’m going to set my phone camera up as soon as it is fully charged, and then leave it there until the moon is out of the shot. I hope that sometime soon you will see the image on my website.
My sculptures explore the transformative potential hidden within simplicity. Constructed meticulously from steel square tubing, each piece is defined by precise 45-degree cuts, resulting in perfect 90-degree connections. These rigid segments weave together, tracing continuous, serpentine paths to create interlocking rectangular forms that overlap but never touch.
At the core of my artistic inquiry is the tension between stark geometry and organic elegance. The square tube—industrial, rough, and unyielding—becomes unexpectedly delicate, intricate, and graceful. Despite consisting of numerous perpendicular joints, which inherently suggest structural vulnerability, each sculpture holds its form securely, illustrating an improbable harmony between fragility and strength.
From each of the six primary viewpoints, the clarity and purity of geometric form dominate. Yet, as the viewer moves, the sculptures transform dynamically. Sharp angles and reflective surfaces interact with ambient light, creating shifting perspectives, depths, and textures. The rigid becomes fluid; the industrial feels alive.
Through this interplay, my art challenges perceptions of simplicity, stability, and beauty. It invites viewers into a meditative dance between chaos and order, hardness and softness, structure and fluidity, reflecting perhaps our own complex relationships with balance and vulnerability in an intricate world.
My artistic practice named “GlobesBox” references “globe” as illumination, aligning with my use of light in some sculptures. It simultaneously evokes the Earth itself to which I dedicate my efforts. My sculptures become a metaphor for connection and illumination – both literally and figuratively. Ultimately, my vision extends beyond art alone; my goal is to contribute meaningfully to nature conservation and foster unity among people, directing a portion of my proceeds toward these vital causes. My sculptures thus serve as both artistic statements and tangible commitments to a brighter, more connected, and sustainable future.
I used Midjourney to create a range of multi-faceted human beings, all looking straight into the camera. My friend Steyn Hayward then added all the pictures together with their eyes lined up. I added around 200 pictures into Final Cut Pro to create visual for my Zoophilist Sounds track Welcome to My House.
After years of learning and playing around in Ableton, recording myself from different angles while performing my track, and putting it all together in Final Cut Pro, I managed to release my first music video through my YouTube channel @zoophilist.sounds. The track is called Our Sun Shines for Us.
I had already decided that I want to create electronic music, but around this time I was inspired by Neon Vines to get into performing live loops for YouTube. I decided to subscribe to Neon’s Patreon and create my first music video under her mentorship.
Blender is an opensource animation creation software which can also be used to design sculptures. The application is free but took some time to learn and get used to. Blender also comes with its own CAD software add-on. I posted on Instagram when I started learning Blender and I cannot believe that time since that day has passed so quickly.
My first DAW was Logic Pro, but at some point I realised that Ableton Live seamlessly integrates with fun controllers and that it is the go to DAW for live looping. I absolutely love Ableton Live. It took me quite a while to get to grips with some of its functionality, but I am proud to say that I am now proficient at crafting tracks in Ableton. I will endeavour to write more timeline entries to capture some of the tools I used to produce my first few tracks.
I did it! I finally passed all the exams. After countless hours of studying I finished my post graduate qualification as an actuary. This is very significant in my life because it is the hardest thing I’ve ever attempted and succeeded at. Being an actuary helped me to see the corporate world and meet many professional people. I’m grateful that I had the opportunity to work as an actuary all these years and make a good living out of it.
I moved to the UK after selling my business to my business partner at the time. I decided to take a giant leap and found a job in the UK.
I started work in 2002 and the first big corporate company I ever worked for was Gerling Global Re. I was living in Johannesburg at the time. Unfortunately it was not long until Gerling withdrew their operations from South Africa and the company closed down.
I studied Financial Mathematics at TUKS and obtained an honours degree after I wrote my last exams in December 2021. I was living in Pretoria at the time.
I was fortunate enough to sing in the TUKS Choir at the University of Pretoria and tour through Europe in December of 1999. Our repertoire included 4 Poulenc Christmas Carols and Prayer of St Francis, which we did with sign language. It was held in Prague (Czech Republic) in the most beautiful hall. We had our chance to perform our songs with the judges listening. Around 60 choirs from all over the world took part and for one night only we were all together in a gigantic warehouse. Since there were way too many people, only the winning choir got to perform their songs. We weren’t only Category winners but also the overall winners of the competition. To perform beautiful music in front of thousands of likeminded individuals who love choral music was a highlight of my life.
https://en-academic.com/dic.nsf/enwiki/5017173







